• Workshops & Bookings

  • Paint From The Heart

    Pour, drip, and splash your way to wild, expressive landscapes.

    1

    Choose your setting

    Sessions can be held in your home, at the studio, or in a quiet public or private space. The setup is simple and flexible.

    2

    Live painting

    Jeff begins with a short, inspiring demonstration to open the creative space and introduce the theme.

    3

    Guided art making

    You (or your group) create your own artwork with clear, gentle guidance. No experience needed, just curiosity.

    4

    Relaxed conversation

    Light, natural conversation flows throughout the session. English can be woven in for those who want it, but it’s never required.

    5

    A personal takeaway

    You leave with your finished artwork and a calm, memorable experience.

  • Session Itinerary Guide

    How A Typical Session Runs: Start to Finish

    1

    Welcome & Introductions

    A short introduction from Jeff, who he is, what to expect, no formality required.

    • Guests introduce themselves briefly, name, where they're from, one word for how they're feeling.
    • Quick orientation to the space and materials; aprons or coverings handed out.
    • A grounding moment, a breath, a simple prompt, or a question that settles the group before painting begins.
    2

    Demo

    Live demonstration of the day's core technique, explained step by step.

    • One or two finished example pieces shown for reference.
    • A walkthrough of the specific materials being used and why.
    • Space for questions before guests pick up a brush.
    • Jeff may work on several paintings at once.
    3

    Guided Practice

    The heart of the session. Guests work hands-on, with guidance close at hand.

    • Jeff circulates for individual coaching, encouragement, and small corrections.
    • A second pass or refinement stage, shifting toward the guest's own composition.
    • In longer formats, a natural pause built in, fresh materials, a short break, or a shift to a second/third technique.
    4

    Finale

    Final touches; guests sign and date their piece.

    • A group share-around. Guests hold up or talk briefly about what they made.
    • Pieces laid out together for a shared photo moment, with consent.
    • A closing toast or thank-you; for Bespoke Events, this can extend into a small gallery moment. Pieces displayed together as guests move through, drinks in hand.
    • Guidance on drying time and how to carry the piece home.
  • The Palette

    Color layout for all sessions*.

    Color & Conversations Palette
    Schmincke Logo

    *In other workshops, we will introduce other palettes and mixing areas such as inks, dyes, and granulated paints.

    For most sessions we use Horadam Aquarell. These paints delivers a contemporary, professional palette with an exceptionally broad color range and the consistency and pigment strength demanded by advanced practice and experimental techniques.

    "Gates Edge" Watercolor, 12x16 in (31x41cm) using salt technique from   "Texture Lab" worshop.

    "Gates Edge" Watercolor, 12x16 in (31x41cm) using salt technique from

    "Texture Lab" worshop.

    This custom watercolor palette was designed for clarity, balance, and intuitive mixing, a structure that mirrors how painters think and move through color. It’s organized into three distinct zones that guide both teaching and practice: eight small circles at the top for accent hues and mixing spaces, two rows of four equal squares in the middle for core mixing, and four large circles at the bottom for foundational landscape pigments.

    Palette Structure

    Top Row, Accent Colors & Mixing Spaces

    • Rose Madder: Soft, transparent pink for floral and atmospheric warmth.
    • Cadmium Red Light: Bright, energetic red for focal accents.
    • Raw Sienna: Earthy tone for underpainting and warm neutrals.
    • Mixing Spaces (x5): Reserved wells for blending and experimentation.

    Middle Section, Core Mixing Zone

    Row 1 (Warm → Green):

    • Indian Yellow: Deep, glowing yellow for sunlight and warmth.
    • Cadmium Yellow Light: Clean, bright yellow for clarity and lift.
    • Olive Green: Muted green for natural foliage and shadow tones.
    • Phthalo Green: Cool, high chroma green for vibrancy and contrast.

    Row 2 (Cool → Neutral):

    • Indigo: Deep blue for atmospheric depth and shadow.
    • Neutral Grey: Balanced tone for desaturation and value control.
    • Payne’s Grey Bluish: Cool, moody neutral for stormy skies and texture.
    • Sepia Brown: Rich, dark brown for grounding and structure.

    Bottom Row, Foundational Landscape Pigments

    • French Ultramarine: Primary mixing blue for skies and water.
    • Cobalt Cerulean: Soft blue for distant hills and light washes.
    • Sap Green: Foundational foliage color with natural warmth.
    • Burnt Umber: Earth pigment for warm shadows and soil tones.

    Design Rationale

    This arrangement gives you a balanced, intuitive palette for landscape teaching, warm hues flow naturally into greens, cools anchor the lower middle, and the bottom row holds your most used pigments for skies, foliage, and earth.

    The vertical mixing path encourages light to dark and warm to cool transitions, supporting expressive, granulation forward watercolor techniques. Each pigment was selected for its mixing versatility, granulation character, and teaching clarity, making this setup ideal for both beginners and advanced guests in your Color & Conversations sessions.

    Teaching Application

    This palette supports vertical color logic, students can mix directly down the rows to explore temperature, value, and granulation. It’s ideal for demonstrating how pigments interact across warm cool and light dark spectrums. The layout also simplifies cleanup and reinforces intuitive mixing habits. See my watercolor supplies that I use in the workshops and in my studio.

  • Color & Conversations Logo

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    Curated art experience designed for boutique hotels and private events.